AI, G 2006, An Inconvenient truth, documentary，New York City and Los Angeles, The United States.

Andrea, P 2015, Particle Falls, Visual art, Mona Bismarck American Centre, Paris

Agnes, D 1982, Wheatfield – A Confrontation, Downtown Manhattan, New York.

Anselm, K 2012, In the beginning, Installation, MKM Museum Küppersmühle for Modern Art, Duisburg.

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Basia, I 2007, Ice book reseeding, Big Wood River, Idaho.

 

Bonham-Carter, C and Mann, N 2017, Rhetoric, Social Value and the Arts. New York: Palgrave Macmillan.

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Boltanski, C & Kalman, J 2006, The Last Class, Installation, Japan.

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Bruce, M, 2004, Field of Lights, Installation art, Harvey Nichols department store, London.

Bruce, M, 2010, CD sea, Installation art，Long Knoll Field, Wiltshire.

Bonelt, A 2014, Bigger a wuwei, image art, Wuwei, Gansu, China.

 

Bishop, C 2010, Participation. London: Whitechapel.

Bradley, L Garrett 2017, The Right to the City: A Verso Report, London, UK.

Bennett, J 2012, Practical Aesthetics: Events, affect and art after 9/11. IB Tauris.

Bright Ugochukwu, E 2016, Acid rain, installation,  Dakar Biennale of Contemporary African Art, Senegal.

 

Groes, S 2016, Against Nostalgia: Climate Change Art and Memory. In: Groes S. (eds) Memory in the Twenty-First Century. Palgrave Macmillan, London.

Guoqiang, C 2015, The ninth wave, Contemporary Museum, Shanghai, China.

Gormley, A 2010, Exposure, sculpture, Netherlands.

Grullón, A 2017, PERCENT FOR GREEN: Creating Space as Consciousness. In: Bonham-Carter C. 

Gruenewald, D. A 2003, The Best of Both Worlds: A critical pedagogy of place, Educational Researcher, 32:4, 3–12.

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Helen, E; Heiko, H 2007, HeHe, Visual art, Paris, France.

Jung, L 2012, Image and Text, ONE AND J. Gallery, Seoul, Korea.

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Kamasata, T 2011, Gift for Frozen Village, installation, Japan.

Kitagawa, F 2015, Art Place Japan: The Echigo-Tsumari Art Triennale and the Vision to Reconnect Art and Nature. Princeton Architectural Press.

Kwon, M 2004, One place after another: Site-specific art and locational identity. MIT Press.

Kit, W 2014, The sea, The desert, The stone, The shell, Visual art，sarahscoutpresents, Melbourne.

 

Lankston, L., Cusack, P., Fremantle, C., & Isles, C 2010, Visual art in hospitals: case studies and review of the evidence. Journal of the Royal Society of Medicine, 103(12), 490–499.doi:10.1258/jrsm.2010.100256

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Mike, H. and John, T, 2002, Tyndall Centre for Climate Change Research, School of Environmental Sciences, University of East Anglia, Norwich.

Martha, S 2010, Ecological Urbanism and the Landscape, Mohsen Mostafavi (ed.), Ecological Urbanism, Baden.

Maya, L 2009, What is missing?, San Francisco.

Nele, A 2009, Melting men, Installation，Berlin’s gendarmenmarkt square, Berlin

Olafur E 2014, Ice-Watch, City Hall Square, Copenhagen.

Smith, T 2006, "Contemporary art and contemporaneity." Critical Inquiry 32, no. 4, pp. 681-707.

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Sobel, D 2004, Place-based education: Connecting classroom and community. Nature and Listening, 4(1), 1-7.

Yichen, H & Yihui, G & Yuti, H 2016, Pretty Polluted Popsicles, installation, China.

Yao, L 2008, Dwelling in the Mount Fuchun, visual art, Beijing, China.